Rokinon 16mm T2.6 Full Frame Cine DS Lens (Sony E Mount)
Professional Super-Wide Lens for Cinematic Storytelling
The Rokinon 16mm T2.6 Full Frame Cine DS Lens for Sony E Mount is a purpose-built ultra-wide cinema prime that brings together professional optical quality, precise manual control, and field-optimized design for filmmakers and content creators. Designed for full-frame Sony E-Mount cameras, this lens combines a dramatic 106.9° angle of view, advanced lens elements, and cinema-grade build enhancements that make it a staple for narrative productions, documentaries, music videos, and creative commercial work.
Expansive Cinematic Perspective
With its true 16mm focal length and full-frame coverage, this lens enables shooters to capture broad, sweeping scenes—essential for establishing shots, architectural interiors, landscapes, and footage that demands an immersive spatial experience. The 106.9° angle of view (on full-frame sensors) allows for highly engaging perspectives that can dramatically shape the mood and style of any film, from energetic crowd scenes to intimate, up-close contexts that need environmental connection.
Fast T2.6 Aperture and Artistic Depth of Field
The T2.6 maximum aperture delivers ample light transmission for low-light shooting without boosting ISO or adding gain, maintaining crisp, noise-free results. Although wide lenses are known for deep focus, the T2.6 aperture still allows for creative shallow depth of field, enabling subtle subject separation—especially when shooting close to subjects or in intimate environments. The 9-blade rounded diaphragm yields smooth, cinematic bokeh and beautiful out-of-focus transitions, even in wide contexts.
Advanced Optics and Multi-Layer Coating
Featuring hybrid aspherical elements, the Rokinon 16mm Cine DS lens controls distortion and chromatic aberrations, providing sharp, well-defined images across the frame. The optical design minimizes color fringing and edge softness—two typical issues with wide-angle primes. Multi-layer coating on each glass element enhances light transmission, reduces internal reflections, and ensures superior color accuracy, matching other Cine DS lenses for seamless scene-to-scene consistency.
Professional Manual Controls
Like every member of the Cine DS series, the 16mm T2.6 comes with industry-standard 0.8 MOD gears on both focus and aperture rings, making it compatible with all major follow focus systems and iris motors. This uniform gear placement allows crews to swap lenses quickly without rig readjustments, optimizing on-set efficiency. The lens is completely manual, giving DPs full tactile control and repeatability for both focus pulls and exposure ramps.
The aperture ring is de-clicked for silent, continuous transition—eliminating audible clicks that could ruin a take. Focus and T-stop scales are engraved and printed on both sides of the barrel in glow-in-the-dark paint, facilitating fast, accurate operation in studio, on-location, and blackout environments.
Durable, Workflow-Friendly Construction
The robust metal housing is engineered for durability, with a built-in petal-style lens hood to control flare and protect the front element. Front diameter and gear ring positions align with other Cine DS lenses, so switching between focal lengths is fast and straightforward. The close minimum focus distance of just 11.8 inches (30cm) opens creative possibilities for wide-angle close-ups and macro-style shots.
Use Cases and Cinematic Versatility
This lens thrives in diverse scenarios:
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Expansive vistas and “hero” establishing shots in drama, documentary, and branded content.
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Tight interiors where only a super-wide can reveal space and depth.
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Music videos and commercials needing a dramatic, enveloping look.
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Events, real estate tours, and virtual walkthroughs.
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Expressive handheld or stabilized gimbal work demanding optical sharpness and robust focus control.
Specifications at a Glance
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Focal Length: 16mm (Full-Frame)
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Maximum Aperture: T2.6
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Angle of View: 106.9°
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Optical Design: Hybrid aspherical elements; multi-layer coating
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Minimum Focus Distance: 11.8 in (30 cm)
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Iris Blades: 9 (rounded)
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Filter Thread: 95mm
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Mount: Sony E
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Weight: Moderate; designed for balance on rigs and gimbals
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Built-in Petal Lens Hood
Color Matching and System Integration
A key advantage of the Cine DS line is their color-matched rendering, supported by consistent coatings and glass formulation across all focal lengths. This ensures seamless intercutting of footage and minimal grading headaches when switching prime lenses within a project.
Why Buy from MojoComputers?
MojoComputers provides the genuine Rokinon Cine DS lens range with full warranty, expert customer support, and prompt, insured shipping across the US. Their competitive prices and reputation for serving filmmakers make them a reliable source for both individual primes and matched lens sets.
Conclusion
The Rokinon 16mm T2.6 Full Frame Cine DS Lens (Sony E Mount) is an indispensable ultra-wide prime for directors, DPs, and content creators who prioritize wide cinematic perspective, robust build, responsive manual operation, and color consistency across lens swaps. It’s an investment in both creative flexibility and production efficiency, delivering quality that consistently meets the demands of professional film and video work.
